The regretful trip down memory lane.
Presentation:
To be frank, I’m not a big fan of Bergman due to his presentation, but visually I love the stark monochrome imagery. The gorgeous white attire is also highly evocative and put to good use for the surreal sequences, but I’m put off by the staged performances and classical presentation. I don’t like how the film builds perspective, which feels formal and distant so I couldn’t connect with the old man. The substance is strong, but I find existential themes to work better when there is a more intimate psychological perspective to latch onto. The old man passively leads the story and I found the other characters to guide my attention instead. That being said, for a film made in the 50s, it’s pretty impressive how well done the dream sequences are.
Conclusion:
I wouldn’t say I’m a historian of cinema, but this is surely one of the better first films to pioneer the trip down memory lane. If you’re an old man with regrets or you’ve dealt with similar situations you could relate to it deeply, but I think it will be a tough sitting for younger audiences.
Recommendations
Nothing cuts deeper than “I don’t love you anymore.”
People vanish, but never their love.
How did black and white ever fall out of fashion?
Space and humanity, the final frontiers.
The greatest animated sci-fi film.
Soul searching for beauty in a dull world.
I’ve never met you, yet I miss you.
What came first, Tarkovsky or the egg?
One day, an entire lifetime of ghosts.
The simplest drawings, the heaviest tears.
Dead western walking.
Cinema for hipsters.
Taking the scenic route through life.
The painted world of Robin Williams.
The French do animation exactly as you’d imagine they would.
Chinese cinema just got serious.
If you ever feel the world has gone crazy, remember the 70s exist.
Experimental concept does not a good film make.
The end for Roy Andersson?
When you’re even more Andersson than Wes Anderson.
A hole where love almost begins.