The Earrings of Madame Deโ€ฆ (1953)

Itโ€™s never just a pair of earringsโ€ฆ

Presentation:

Films that are hyped by the cinephile community tend to be pretentious wabi-sabi displays of taste rather than realistic recommendations. So where does this obscure French Criterion classic fall? For a film lauded for its blocking, cinematography and performances, itโ€™s fine. What it should actually be praised for is its story. The film follows a vain woman and her pair of earrings. Both go on their own journeys and have rewarding transformations, which employ a unique narrative device to propel the filmโ€™s themes. The costume design is beautiful and the characters are understandable even though it was shot in the 50s. This is a striking story comparable to a Shakespearean romance and should stand the test of time. Itโ€™s confusing how this film isnโ€™t more popular, but such is the nature of French films before the New Wave. 

Conclusion:

This film is nearly as good as cinema enjoyers claim it to be. The transformation is not only memorable but also meaningful, which made this film stick with me. Iโ€™m pretty critical of romance films so when a good one comes along, Iโ€™m pretty excited to recommend it. The decadent yet graceful class brings us back to a time where love was romanticized, making us actually want to fall in love and be better versions of ourselves. The characters are wonderful and the narrative elements have a universal message. Like all jewelry, itโ€™s not the price, itโ€™s the story that comes with it.


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Wild Strawberries (1957)

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Three Colors: Red (1994)