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Strangers on a Train (1951)

Before there was thriller there was Hitchcock.

Marko Li 7/21/25 Marko Li 7/21/25

The Searchers (1956)

Not worth searching for.

Marko Li 7/19/25 Marko Li 7/19/25

Rashomon (1950)

Recounting the flaws of human bias.

Marko Li 6/24/25 Marko Li 6/24/25

Some Like it Hot (1959)

Well, nobody’s perfect!

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The Bridge on the River Kwai (1957)

Even in war, it's a matter of principle.

Marko Li 6/1/25 Marko Li 6/1/25

Ikiru (1952)

Death gives the second half of life its meaning.

Marko Li 6/1/25 Marko Li 6/1/25

Sunset Boulevard (1950)

I’m ready for my close up!

Marko Li 5/31/25 Marko Li 5/31/25

Rififi (1955)

What happens after the heist?

Marko Li 5/18/25 Marko Li 5/18/25

Paths of Glory (1957)

We can’t all be Leeroy Jenkins.

Marko Li 5/5/25 Marko Li 5/5/25

The 400 Blows (1959)

The timeless thrills of playing hooky.

Marko Li 7/25/24 Marko Li 7/25/24

Seven Samurai (1954)

The blade doesn’t cut deep for this Japanese epic.

Marko Li 7/21/24 Marko Li 7/21/24

12 Angry Men (1957)

A historically relevant film on human bias.

Marko Li 7/21/24 Marko Li 7/21/24

Rear Window (1954)

A glimpse of what visual storytelling is all about.

Marko Li 7/16/24 Marko Li 7/16/24

Vertigo (1958)

Hitchcock’s masterpiece disorients audiences for the worse.

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