How are films like this even possible?!
Presentation:
It is an absolute pleasure to finally recommend one of spiciest directors in cinema, Roy Andersson. After 25 years from his previous film and taking 5 years to make this one, Andersson delivers his signature absurdist masterpiece. The reason this film took so long is because he meticulously created the surreal sets reminiscent of Brazil from his own personal studio. The complex framing, make up, muted colors, all add up to one of the most intriguing cinematic experiences of all time. There’s no one really like Andersson except maybe Wes Anderson, whom is the more popular, vibrant version. However, there is something more special watching art films from Andersson, perhaps he feels more refreshing because he is more low key. Every composition is a living, breathing painting that transforms as characters move about. But as this is one of his older films it’s a little disappointing that the image quality doesn’t do the compositions justice.
Conclusion:
Although this film won’t be for everyone, it’s likely the most cohesive social commentary Andersson made. It’s not my favorite film from him, but it’s his most iconic. I can’t imagine what it was like to witness this in 2000 because 26 years later it still can’t be beat. I have never seen anything like that final scene and it deserves every award it got and more. Jaw dropping cinema and an absolute must watch for any cinematographer.
Recommendations
Every scene a painted living masterpiece.
When you’re even more Andersson than Wes Anderson.
How are films like this even possible?!
The end for Roy Andersson?