Chalamet and friends ping-pong into chaos.

Not worth reanimating.

Watch a movie recap instead.

The collapse of western civilization starts with a face mask.

Popcorn dopamine.

Seasick of streaming platform slop.

Put the brush down, Wes Anderson.

Warm, nostalgic melancholy.

War isn’t about who’s right, rather who’s left.

Francis Coppola can even turn disasters into masterpieces.

To cancel, or not to cancel?

This deployment won’t really blow you away.

Silence has never been so pitiful.

Basically every Call of Duty mission.

As though we weren’t already scared enough of clowns.

How Alan Turing beat the Nazis.

Some Hollywood franchises need to die.

A sci-fi space film that has no right being this good.

Keep your eyes open for this fresh horror premise

A vapid love letter to Hollywood filmmaking.

The longer the legs, the harder they fall.

The alien movie that really started it all.

As playful as horror gets.

Timotheé Chalamet portrays a pretty good king.

When ego is put before the story.

A visually impressive war film shot in one take.

Should have been the most significant comic book film of all time.

Romanticizing Los Angeles crime.

A film that speaks to male audiences with just enough spark of magic.

The 2008 financial crisis shouldn’t be this fun.

A soaring experience that pays homage to the original.

A perfect showcase of moral ambiguity and bias.

To be fair, everyone is invisible next to Elisabeth Moss.

It’s hard to imagine a sequel to The Shining being this wildly entertaining.

A nice layup from Scorsese but no slam dunk.

Love it or hate it, twisted fun.

Speaking to hearts of hopeless romantics.

Denzel Washington proves you can build a movie around one star.

Wrestling with financial dependancy.

Humor but not enough heart to make this popcorn flick meaningful.

A fitting end to Keanu Reeve's John Wick.

Incredibly average.

Don’t really wanna be a sicario anymore.

But where's the lamb sauce?

Social commentary that no one cares about.

Loving you in a past life.

Roger Deakins and Sam Mendes make a gorgeous piece that falls a bit short.

Gather for the gothic carnival spectacle of the decade!

A boring film, but a showcase of Oscar Isaacs ability.

A slow crossing of the finish line.