Man on Fire (2004)
Denzel Washington proves you can build a movie around one star.
Presentation:
A gritty crime drama thriller in 2000s style and pacing. Hazy cinematography with prominent handheld adds to the violent story of a bodyguard trying to protect a child he is emotionally invested in. The story has heart, stakes and a powerful story with realistic motivations that never hold your hand. A bit melodramatic and a questionable conclusion that has multiple director's endings.
Conclusion:
A pretty strong film back then, a decent film by today's standards that may still bring the heat. Back when solo performances is all you needed in the early 21st century style. A great flick you'd be absorbed in if played on TV.
Recommendations
Samurai epic meets spaghetti western.
Analog horror for those that love ghost stories.
Church is officially cool again.
Stealing our hearts in the process.
Visions of a future novel Coronavirus.
Making sense of a school shooter.
โฆand Ridley Scott still misses.
All I want for Christmas is an action blockbuster.
A violent metaphor on burden, trauma and guilt.
They actually filmed a one-shot movie.
Look at me, Iโm the captain now.
James McAvoy takes the crown for multiple-personalities.
This deployment wonโt really blow you away.
Making racial injustice feel like an urban myth.
Bible school for the disbelievers.
Denis Villeneuveโs artistic validation.
Why science fiction should exist.
Suspense isnโt fully dead yet.
A horror you wonโt be able to look away from.
Spielberg makes a generation afraid of the beach.
Legendary ninja battles are always cut short.
If there was ever the case for why classic films are more cinematic.
Silly caucasian girl likes to play with samurai swords.
What superhero movies could have been.
Sci-fi silliness.
An obscure vision even for open eyes.