Old money burns the saltiest.

Presentation:

One of the more controversial movies, Emerald Fennell pleases us with nostalgic cinematography of the 2000s in 1.37:1 aspect ratio. Shot on film with spherical lenses, the movies feels intimate yet voyeuristic framing everything from the guest’s point of view. The tall frame allows you to appreciate the grandeur of the estate while also getting extremely close to the characters. The film is deceptive, or subversive, in that it is a mystery thriller disguised as a drama. There are small clues especially from the performance of the incredibly talented Barry Keoghan. For experienced filmwatchers, you may find the ending to be predictably twisted but you will enjoy the ride nonetheless. There are 2/3 few scenes in particular that should test the time as some of the most obscene moments in film. It's an even more sick version of Parasite with the posh British setting of The Riot Club mixed with Euphoria.

Conclusion:

“How much shock value do you want?” - “Yes.” Upon reflection, this is basically a highly derivative rip off of The Talented Mr. Ripley. I’d nearly call it plagiarism but Fennell does paint a new coat of cinematic paint. What bothers me is she completely denies the comparison. As I digress…the film differentiates by having as much shock value as possible to the detriment of the story, which I still found to be a blast. I personally felt that the film doesn't take itself seriously enough to warrant considerable objection. If this film doesn't make you a fan of Koeghan, nothing should. Unbelievably twisted performance, possibly leaving you offended but a fun time nonetheless like the nostalgic ragers in the film. This movie will be good or bad depending on how seriously you take the plot.


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