Is there anything Tom Ford can’t do?
Presentation:
The film has style and chic, but not in a clinical way. From the fashion guru Tom Ford, you really would not expect his film to look this good. Going back to familiar roots in Texas and New York, Ford provides a fascinating glimpse into this alternate world, story within story. The plot employs the narrative of a book within a film, but the performances and plot are strong enough that you never feel cheated like when characters wake up from a bad dream. When the credits roll, it leaves you with just a lasting shared memory, a feeling all too familiar yet so distant.
Conclusion:
A big surprise, a provocative thriller and most importantly a fresh perspective. The story is a bit like True Detective but excellently paced while being genuinely thrilling and wrenching. Tom Ford is more than just the visuals, there is surprisingly a delightful depth to the fashion icon.
Recommendations
Nothing cuts deeper than “I don’t love you anymore.”
People vanish, but never their love.
Level 0 of the liminal basement.
How did black and white ever fall out of fashion?
Gasper Noé climaxed a long time ago.
Old money burns the saltiest.
Space and humanity, the final frontiers.
The greatest animated sci-fi film.
The original dream heist.
Why science fiction should exist.
To cancel, or not to cancel?
Be careful who you wish for…
Israel has more than a little guilt on their hands…
Compassion for squatters.
Psychedelic sadness drips in watercolor and sex.
Is it really the greatest film of all time?
Transitioning to a nostalgic future.
The grass is always greener…next to Auschwitz.
Vietnam is Russian roulette with no empty chambers.
The scariest part of this liminal horror is that it’s 100 minutes long.
A mid horror movie for the summer.
I’ve never met you, yet I miss you.
Curiosity is the real killer.
Art used to mean something.
The WTF western.
Love only exists when you hit play.