Thereโs nothing in the woods.
Presentation:
This film basically has no storyline. Itโs a pitch meeting with great ideas, visuals, execution, but then disappoints with nothing really explained. This makes the film one of those metaphorical manifestations of something else, but itโs not very confident in what that is meant to be. The film really is very dark by nature of how it is barely lit by flashlights and lamps. But it does excel in building tension and conflict through having so little. Probably one of the best depictions mood wise for a dystopian setting in the woods.
Story:
My take is the film is take on our perception of strangers. It's nuanced in that we don't know what is the right choice, who is right or wrong, it is just human nature. Ultimately the son dies and they are also infected, which I believe suggests that the disease is a form of xenophobia and mistrust of strangers.
Conclusion:
This film has an objectively weak script but I think there are many moments of potential through how the tension is built up. As this is a horror, I donโt think itโs always necessary to make it absolutely clear and explain everything in detail. If you can accept this, then perhaps you wonโt receive the film so harshly. Even so, it should be creepy enough to make you think about it whenever you see a similar situation, affecting how you view yourself and second guess other people. I think Honeymoon does this film better.
Recommendations
A unique horror/slasher that focuses on story as opposed to the scares.
Everything a Black Mirror episode strives for.
A dark marriage of comedy.
When the underdog is actually overhyped.
A stressful film that gets you emotionally invested.
A romance transcending destiny, built upon unstable foundation.
A fresh coming of age story disarming the biggest skeptics.
This is why A24 makes some of the best movies.
A film that may truly make you believe in blackmagic.
You'd have to be in a particular mood to appreciate this one.
Watch this film long enough it stares back at you.
If Fincher made a slasher.
Warm, nostalgic melancholy.
Denis Villeneuveโs artistic validation.
Gorgeous drama with powerful performance by everyone except the lead.
No civil war, just a massacre.
Quirkiest metaphor of the decade.
Definitely a good time.