Ironically, the films free from commercial influence have the most influence.
Presentation:
A very pure film from a first time director Sam Mendes makes this best picture even more impressive. Characters are developed and nuanced. Kevin Spacey perhaps didn't need to act too hard to play a pervert in this film but lets leave externalities aside because he plays a very compelling champion for the voice of the people. When a disenfranchised man rebels against the confines of society, you do have the foundation for a beautifully raw film with impressionable relationships.
Conclusion:
A flag of a new era in cinema, memes and iconic lines, this film has a similar theme to Fight Club, taking you back to the beginning of frustrations in our modern century. It may not speak to female audiences as women are oversimplified and men are poetically nuanced. Great dynamics between all characters, whom grow and develop organically within a compelling story arc.
Recommendations
“How could you know? You’re not a woman.”
Promising young feminists.
Taking the scenic route through life.
The painted world of Robin Williams.
Art punk has a name, and it’s Lynch.
The French do animation exactly as you’d imagine they would.
When a film looks 30 years older than it actually is.
Sounds of falling asleep.
Chinese cinema just got serious.
If you ever feel the world has gone crazy, remember the 70s exist.
Experimental concept does not a good film make.
The spiciest body horror of all time?
Human nature is Satan’s church.
Muted traumas are easier to forget.
The end for Roy Andersson?
Every scene a painted living masterpiece.
When you’re even more Andersson than Wes Anderson.
How are films like this even possible?!
Where does the love of manga take us?
A cinephile’s journey is categorized as pre-Dogville, and post-Dogville.
Melancholia never truly passes.
Cinematic trolling at the peak of the French New Wave.
A reason to return to IMAX theaters at light speed.