The Call (2020)
Probably the most awesome villain in Korean horror.
Presentation:
Once in a blue moon, Netflix produces a foreign gem quelling all qualms about its agenda. Perhaps it is because foreign films are already diversified, these films tend to not have strings of influence and foremost entertain audiences. This is perhaps my greatest guilty pleasure flick. It's truly a pity if you haven't realized how fun Korean productions can be. The film looks stylish with dutch angles and edits like a Park Chan Wook production, all in the aesthetics of a a tidy neat Korean package with dark overtones. If you didn’t love her from Burning, you may be convinced of Jeon Jong-seo’s X factor from this performance. The plot is awesome and clever, though the writing is typical of a popcorn horror.
Conclusion:
A horror film with a phone may seem cliché, but this one takes this concept to outer space. This film is high octane fun with Korean twists leaving you gasping at every turn. The characters are competent and it’s an epic clash during the climax. It's a film where you demand more once the credits roll and you'll wish the ride would never end. I don’t want to be hyperbolic, but this is almost Anton Chigurh level villainery. You'll want to yell at your screen to no avail, a true popcorn thriller. One of my favorite horror films, tons of fun and wild twists that makes you want to ride again and again.
Recommendations
A metaphor you’ll be burning to discuss.
The perfect scent doesn’t exist…
A masterclass in camera movement, if only it could move audiences.
The longer the legs, the harder they fall.
Cherishing the fragility of love.
One of the best romantic comedies.
Korea’s contemporary masterpiece.
What's in the box?
Probably the most awesome villain in Korean horror.
Curiosity is the real killer.
Violence is a funny thought experiment.
Lee Chang-dong finds humanity where no one else does.
Into the artistic subconscious of a serial killer.
One can only hope to never find serial killers funny.
He-said-she-said: Korean border edition.
There’s no predicting an epic quite like Korean horror.
If you can’t beat the job market, eliminate it.
Revenge is a dish best served with kimchi.
Was the title not quirky enough for you?
Love, guns and on the run.
Who are you, really?
When the story is more intriguing than the slashing.
A violent metaphor on burden, trauma and guilt.
James McAvoy takes the crown for multiple-personalities.
Making sense of a school shooter.
You shouldn’t have any problems falling asleep.
So slow, you’ll be begging this assassin to kill you…