The Killer (2023)
A good film for anyone else, a mediocre film from Fincher.
Presentation:
Fincher returns to Red and Leica but opts again for post editing to achieve effects including anamorphic mimicry shot in spherical, the same as Mindhunter. The film looks nice and uses abundant ambient lighting but the key is the camera movement, which always makes slow motion kills a delight.
Story:
Itโs hard to answer whether this film was worth making. You can see the potential but the film just falls so flat for Fincher's pedigree. Aside from the Fincher touch, the film feels stale. This isnโt the first time Fincher uses internal monologue and introspective views but the lack of a subversive element makes the whole formula fall apart. There is a lack of tension resulting from Fassbender mostly bulldozing his way through his obstacles, this might as well been Bourne sequel. What this film is missing is an internal struggle, which is why his other introspective characters have had so much success. Explicit dialogue isnโt compelling to the audience unless there are meaningful hurdles to navigate.
Conclusion:
A good film in isolation, but a forgettable film from Fincher. Although Fincher does attempt at experimentation, he returns to roots without the soul and it feels his best days are behind him.
Recommendations
The longer the legs, the harder they fall.
Making sense of a school shooter.
Hannibal Lecter is best watched with a side of fava beans.
When atmosphere is the horror.
What a girlboss should be.
What's in the box?
South Koreaโs first Zodiac killer.
A seductive thriller that will make you cheer for the wrong side.
You shouldnโt have any problems falling asleep.
Giving depressed people something worth fighting for.
Chasing the most infamous serial killer.
Unsophisticated subversion.
If there was ever the case for why classic films are more cinematic.
Probably the most awesome villain in Korean horror.
Obsession and the pursuit of greatness in the most seductive way.
James McAvoy takes the crown for multiple-personalities.
Psychopathy has never been so hilarious.
A violent metaphor on burden, trauma and guilt.
When the story is more intriguing than the slashing.
A good film for anyone else, a mediocre film from Fincher.
Comic book style oozes in spades.
How a coin toss changed cinema.
The father of horror/thrillers.
Korean revenge in a nutshell.
Bring phone booths back again.