You talking to me?
Presentation:
One of Martin Scorseseโs early films with tremendous impact highlighting the decay of society. New York looks harsh and gritty like a modern Safdieโs film with an iconic performance from Robert De Niro. Even despite his instability and misguided conclusion, he still mostly manages to garner empathy despite being a loner that would be looked down upon today. Ultimately the film hinges on De Niro right coming right after his performance in The Godfather, and you can rest easy that he equally conveys the psychological and nuanced complexity through extensive silence.
Conclusion:
A fantastic film for 1976, which might not translate as well today. You might find the sleazy depictions in the film quite tame compared to the even more immoral society today. And so, his actions have a less subversive effect despite still representing relatable disenfranchisement. But if you find enough things in common with De Niroโs character, this could still be a compelling experience because Scorsese filmmaking still has all the polished characteristics of his other films. Acting with eyes, performance and a morally neutral presentation are the core of what makes Scorsese a masterful storyteller.
Recommendations
I like to remember things my own way.
No monsters, just man.
The deadly romance of photography.
Ghosts of cinema, through memory and sound.
Love only exists when you hit play.
Nothing cuts deeper than โI donโt love you anymore.โ
People vanish, but never their love.
Level 0 of the liminal basement.
How did black and white ever fall out of fashion?
Gasper Noรฉ climaxed a long time ago.
Mirrors of a double life.
Old money burns the saltiest.
The beauty behind powered wigs and makeup.
Space and humanity, the final frontiers.
The greatest animated sci-fi film.
The original dream heist.
A masterclass in camera movement, if only it could move audiences.
Why science fiction should exist.
Koreaโs contemporary masterpiece.
To cancel, or not to cancel?
Be careful who you wish forโฆ
Israel has more than a little guilt on their handsโฆ
Compassion for squatters.
Psychedelic sadness drips in watercolor and sex.
Is it really the greatest film of all time?
Transitioning to a nostalgic future.
The grass is always greenerโฆnext to Auschwitz.
Vietnam is Russian roulette with no empty chambers.
The scariest part of this liminal horror is that itโs 100 minutes long.
But who keeps the lights on in the mind?