Microphones are a conspiracist’s best friend.

The collapse of western civilization starts with a face mask.

Brilliance comes at a cost.

I still don’t care about 60 minutes. 

All the world’s a stage.

Mystery on the dark side of the moon.

Noir sophistication at its finest.

Church is officially cool again.

An obscure vision even for open eyes.

Fun as long as you can turn off your brain.

The greatest animated sci-fi film.

The cyberpunk anime that started it all.

The scariest Peele movie, still isn’t particularly scary.

M. Night Shyamalan’s movies are indeed, too old.

Bring phone booths back again.

Great, vacations are ruined too.

Time travel, cyberpunk, everything sci-fi fans will love.

Parasite, but on a train.

Likely the funniest slasher of all time.

Korean revenge is as twisted as they come.

A war thriller at the peak of the French wave.

Everything we love about noir crime classics.

The only time you’ll want to go to prison.

Watch Perfect Blue instead.

An ambitious potential masterpiece falls short.

The greatest war film ever made.

Hitchcock’s masterpiece disorients audiences for the worse.

When a film is presented backwards.

Horror fans, get in!

Sci-fi paradox with a twist.

Timotheé Chalamet portrays a pretty good king.

Do androids dream of electric sheep?

Hackers know gun-fu.

One of the most iconic crime films happens to be a man running around in a cape.

We don't talk about Fight Club.

Cat and mouse gangster masterpiece by Scorsese.

Paranoia and schizophrenia visually personified.

How well do you know your partner?

Just when you thought war couldn’t get any worse.

Should have been the most significant comic book film of all time.

When Martin Scorsese strays from the gangster genre, there's good reason.

The 2008 financial crisis shouldn’t be this fun.

A dark Indian comedy that will get you rolling.

A rare glimpse into the corruption and hypocrisy of Chinese society.

Rollercoaster of 2022.

Yes, I’ll stay in an underground bunker with John Goodman.

To be fair, everyone is invisible next to Elisabeth Moss.

A satisfying progression of violence.

Just plain AI fun.

A budget Fincher thriller.