Mulholland Drive (2001)

Watch Perfect Blue instead.

Presentation:

This film is considered to be David Lynchโ€™s magnum opus, which is shocking when Eraserhead exists and this actually based off a Japanese anime. David Lynch commendably tries to make it his own, but does so with so much less mastery incorporating his TV sitcom sensibilities, inappropriate for the caliber of depth this story commands. His work never feels an ounce cinematic to me and although the poor acting may be by design for this story, the bad acting is also poorly acted even for 2001. The only thing of praise are some voyeuristic camera movements that are eerie at the beginning of the film but are nevertheless weak compared to tones set by Fincher during the same time period. The film looks bad and the visuals and mood donโ€™t capture the psychological themes required for the story.

Conclusion:

This is an idea, not really a film. It was torture to get through the painful one and a half hour set-up for the core plot, which is incredibly psychologically dense. Itโ€™s an extremely difficult undertaking, which Lynch takes a stab at but ends up disfiguring the jack oโ€™ lantern instead with his take of a confusing trip on psychosis and schizophrenia. To be fair itโ€™s quite impossible to adapt this story to live action and capture its essence in full, but this film is just worse than Perfect Blue in every metric and was agonizing to endure. You canโ€™t have more than half of the film building an exposition for one of the most complex pieces of storytelling and leave just a sliver to deliver it. I donโ€™t like Lynchโ€™s late style of TV direction compared to when he started off as a visionary artist. You may have liked this film, but only if you havenโ€™t watched the Japanese original.


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Peppermint Candy (1999)

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Psycho (1960)