Loneliness personified.
Presentation:
Shot on Zeiss Superspeeds, the film looks soft and desaturated. It's a very moody look, which really captures the culture shock of the Americans in a foreign land. Bill Murray really sticks out like a sore thumb among the sea of Japanese workers and Scarlett Johansson really feels unhappy and sells depression. Loneliness personified, the vibe is really well crafted and has likely influenced a whole generation afterwards as many films emulate this same feeling: Past Lives, Garden State, Her. It's influence has no bounds because loneliness and the seeking of comfort is universal. Unless you don't know what I'm talking about, in which case good for you.
Conclusion:
You either get this film and it speaks to your soul, or you don't and you find it completely boring. I am in a strange predicament where I understand it deeply, but still found it unmoving. Everyone's loneliness is different, this one is a more social estrangement. This film is still relevant today, but is it something you'd want to watch again? I'm not certain the magic is still relatable in today's electronic age.
Recommendations
Nothing cuts deeper than “I don’t love you anymore.”
People vanish, but never their love.
Level 0 of the liminal basement.
How did black and white ever fall out of fashion?
The masterpiece that enchanted the world.
Compassion for squatters.
Transitioning to a nostalgic future.
Vietnam is Russian roulette with no empty chambers.
I’ve never met you, yet I miss you.
The best friendships are glued together.
The simplest drawings, the heaviest tears.
A divorced, bankrupt, suicidal family attends a beauty pageant.
“How could you know? You’re not a woman.”
Promising young feminists.
Taking the scenic route through life.
The painted world of Robin Williams.
Art punk has a name, and it’s Lynch.
When a film looks 30 years older than it actually is.
Sounds of generational trauma.
Chinese cinema just got serious.
Experimental concept does not a good film make.
A hole where love almost begins.