Guillermo del Toroโs Pinocchio (2022)
The greatness of this Pinocchio is a lie.
Presentation:
This is a splendidly captured world that is really not appealing to me. The stop motion in this film is choppy and the characters feel blocky and wooden just like Pinocchio. I never felt immersed in the movie because there is some mismatch whether it is the audio, dialogue, lighting or movement, I just canโt pinpoint what feels off. Something feels particularly uncanny with this one that makes it harder to enjoy. The pace is also too fast in storybook speed to create any emotional attachment. The musical numbers are also weak and even unpleasant. Adult themes arenโt enough to make adults enjoy what is very clearly a stop motion cartoon designed for children. Most crucially, the father and Pinocchio are not charismatic or likable. The only enjoyable character was the bug and maybe the villain.
Conclusion:
As a family film, this is quite a full experience. But it has been marketed universally toward adults, perhaps due to attaching Guillermoโs name to the title. It is definitely mostly for kids and if you think this is like Coraline or a Studio Ghibli film that adults can enjoy as well you will be sorely mistaken. Itโs actually very cartoonish in presentation, misleadingly audiences by the rave reviews as one of the best stop motion of all time. Hard disagree. The technical creation is impressive but about one hour in I had to skip forward to the ending.
Recommendations
Phil Tippettโs nightmare fuel.
The best friendships are glued together.
The simplest drawings, the heaviest tears.
Iโll never look at food the same way again!
The art of claymation.
Getting lost in David Bowieโs cinematic magic!
Gilliamโs forgotten fairy tale.
If a cinephile could have a Princess Bride.
The French do animation exactly as youโd imagine they would.
Chinese cinema just got serious.
Sometimes the memory is better than the movie.
Once in a blue moon, an enchanting experience is born.
A love letter to dogs or Japan?
Even Miyazaki can be romantic.
Wes Andersonโs funniest film.
Snip, snip.
The iconic gothic nightmare.
When Guillermo del Toro does steampunk.
The real charm of stop motion is bringing us back to childhood.
Tim Burtonโs biggest catch.
Love knows no shape.
Gather for the gothic carnival spectacle of the decade!
The masterpiece that enchanted the world.