The 400 Blows (1959)
The timeless thrill of playing hooky.
Presentation:
If there was ever the case for a perfect film, this might be it. This of course depends on how you define โperfectโ. This film in my estimation is flawless, a result of having a simple yet impeccably executed script. With more complicated plots, the story inevitably devolves into subplots, inviting opportunities to detract from the main message. But this film never wavers by relentless focusing on how society has turned its backs on our precious juveniles. Of course the children can be delinquent rascals at times, but they are presented so honest and pure that they are always endearing. There is surely a little bit of everyone in the childโs performance making it impossible not to emphasize with him. France looks beautiful and youโll be swept away by its anamorphic charm, solidifying this as a timeless cinematic memory.
Conclusion:
While being a ton of fun, it manages to tackle serious issues at the same time in a balanced manner. I think this strikes the perfect mix of entertainment and light hearted French sensibilities with the complex social problems that are still relevant today. Itโs so timeless that it could be remade today frame for frame and still be a hit. I suppose thatโs why Ferris Bueller's Day Off and A Christmas Story are still so popular. But if you prefer the originals, this one should push all other derivatives aside and take a permanent place close to your heart. A film that truly cares and invites you to experience the same sentiment.
Recommendations
Straight French girl who might be a little curious.
Threesomes never end well.
Some asses are better than people.
Surrealism is not for the discreet.
A portrait of faith.
Reversing time doesnโt heal all wounds.
The greatest cinematography to have no story.
Cinematic trolling at the peak of the French New Wave.
Itโs never just a pair of earringsโฆ
Red is always the most cinematic color.
Hate breeds hate.
Wax poetic masculinity.
Why simple is cinematic.
What would you do if it might be your final 2 hours?
How deep is the psychological iceberg?
Put the brush down, Wes Anderson.
Resisting la rรฉvolution!
What happens after the heist?
The heist is in the details.
French New Wave meets action Hollywood.
Will their visit be full of wonders or horrors?
All hitmen have is their code of honor.
The timeless thrills of playing hooky.
The splash before the French New Wave.
La crรจme de la crรจme of French originality.
Arenโt all piano teachers masochistic?
You could be convinced Willem Dafoe is a descendent of Van Gogh.
Sexual exploration for the dreamers and romantics.
Not as blue as you think.
The French do animation exactly as youโd imagine they would.