The 400 Blows (1959)
The timeless thrill of playing hooky.
Presentation:
If there was ever the case for a perfect film, this might be it. This of course depends on how you define โperfectโ. This film in my estimation is flawless, a result of having a simple yet impeccably executed script. With more complicated plots, the story inevitably devolves into subplots, inviting opportunities to detract from the main message. But this film never wavers by relentless focusing on how society has turned its backs on our precious juveniles. Of course the children can be delinquent rascals at times, but they are presented so honest and pure that they are always endearing. There is surely a little bit of everyone in the childโs performance making it impossible not to emphasize with him. France looks beautiful and youโll be swept away by its anamorphic charm, solidifying this as a timeless cinematic memory.
Conclusion:
While being a ton of fun, it manages to tackle serious issues at the same time in a balanced manner. I think this strikes the perfect mix of entertainment and light hearted French sensibilities with the complex social problems that are still relevant today. Itโs so timeless that it could be remade today frame for frame and still be a hit. I suppose thatโs why Ferris Bueller's Day Off and A Christmas Story are still so popular. But if you prefer the originals, this one should push all other derivatives aside and take a permanent place close to your heart. A film that truly cares and invites you to experience the same sentiment.
Recommendations
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Crรจme de la crรจme of French originality!
Compassion for squatters.
Curiosity is the real killer.
Art used to mean something.
Granny vs. the Mafia: A grotesque caricature.
What if Salvador Dali painted a movie?
The whimsical DNA of French cinema.
Contempt is the most colorful display.
โHow could you know? Youโre not a woman.โ
When the French attempt to make a normal comedy, theyโre intouchable!
Body horror without The Substance.
I finally get body horror.
The French do animation exactly as youโd imagine they would.
Straight French girl who might be a little curious.
Threesomes never end well.
Some asses are better than people.
Surrealism is not for the discreet.
Reversing time doesnโt heal all wounds.
The greatest cinematography to have no story.
Cinematic trolling at the peak of the French New Wave.
Itโs never just a pair of earringsโฆ
Red is always the most cinematic color.
Hate breeds hate.
Wax poetic masculinity.
Why simple is cinematic.
Gasper Noรฉ climaxed a long time ago.