Thereโ€™s at least one good dream every 8 nights.

Presentation:

One of Akira Kurosawaโ€™s final films, which looks like one of his most modern due to the vibrant color and production. Dreams details 8 short stories loosely inspired by his own dreams, though with little connection between them. To be frank, I only found 3/8 to be interesting, but boy, was that second dream impressive and perhaps more dazzling than Ran. The other dream I really liked was the Van Gogh one, and Iโ€™m not sure I would appreciate it as much if Martin Scorsese didnโ€™t pop up. His performance is mundane, but itโ€™s more of the mere fact that he traveled across the world to collaborate for Kurosawa (and as an actor!) that makes it awesome. Actually, him and Spielberg assisted Kurosawa in producing this film, which is some crazy film trivia and explains why they have such good rapport.

Conclusion:

This has the prestige of a good film, but Iโ€™m not convinced it was one. Itโ€™s like one of those mornings where I knew I dreamed, but canโ€™t remember what it was about. The film meanders, like a dream, and the storytelling doesnโ€™t really have a cohesive direction or purpose, like a dream. But most crucially, the vignettes didnโ€™t particularly feel like dreams. Thereโ€™s something about Kurosawaโ€™s long lensing and style that doesnโ€™t really speak to me. Sometimes heโ€™s a great storyteller, but other times his formal presentation loses me, and that subjective voice is particularly necessary for vivid dreams.


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Videodrome (1983)