Creative LUT with blue/cyan and red bias optimized for scenes in nature with blue skies and green foliage. Designed for brighter mountainous scenes with overcast rather than abundant yellow sunlight. Requires strictly proper exposure for optimal color and clean whites. If image is red, your exposure is too dark. Lower color temperature for stronger cyan effect or shift magenta for retro nostalgia. Can evoke a natural feel.
This CleverLUT outputs to Rec 709 from several inputs:
- The DWG version is for manual color grading with any camera and minimal contrast and saturation added. This requires an input of Davinci Wide Gamut and Davinci Intermediate color space through either the camera RAW tab or a color space transform.
- The Arri C3 version is for manual color grading with any camera and minimal contrast and saturation added. This requires an input of Arri C3 color space through either the camera RAW tab or a color space transform.
- The FLOG2 version is for Fujifilm cameras ONLY, requiring input Rec2020 and FLOG2 color space. This has contrast included.
- The Blackmagic version is for Blackmagic cameras ONLY, requiring input Blackmagic Gen 5 Film color space. This has contrast included.
- The Sigma FP version is for the Sigma FP ONLY, requiring input Blackmagic Design Film color space in the camera RAW tab and it is recommended to also decrease the highlight slider to 0. This has contrast included.
All versions have some contrast built in, though to cover a wide range of lenses, contrast may require further finessing with shadow and highlight roll-off prior to this Rec709 output LUT.
Creative LUT with blue/cyan and red bias optimized for scenes in nature with blue skies and green foliage. Designed for brighter mountainous scenes with overcast rather than abundant yellow sunlight. Requires strictly proper exposure for optimal color and clean whites. If image is red, your exposure is too dark. Lower color temperature for stronger cyan effect or shift magenta for retro nostalgia. Can evoke a natural feel.
This CleverLUT outputs to Rec 709 from several inputs:
- The DWG version is for manual color grading with any camera and minimal contrast and saturation added. This requires an input of Davinci Wide Gamut and Davinci Intermediate color space through either the camera RAW tab or a color space transform.
- The Arri C3 version is for manual color grading with any camera and minimal contrast and saturation added. This requires an input of Arri C3 color space through either the camera RAW tab or a color space transform.
- The FLOG2 version is for Fujifilm cameras ONLY, requiring input Rec2020 and FLOG2 color space. This has contrast included.
- The Blackmagic version is for Blackmagic cameras ONLY, requiring input Blackmagic Gen 5 Film color space. This has contrast included.
- The Sigma FP version is for the Sigma FP ONLY, requiring input Blackmagic Design Film color space in the camera RAW tab and it is recommended to also decrease the highlight slider to 0. This has contrast included.
All versions have some contrast built in, though to cover a wide range of lenses, contrast may require further finessing with shadow and highlight roll-off prior to this Rec709 output LUT.
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